When I started writing, I was reading people such as Tom Clancy or Michael Crichton, who did 'Jurassic Park,' which is possibly the most action-filled book you'll read, apart from mine, and I said to myself, 'Why aren't these guys doing big-scale action like you would see in a movie?'

What I do is write books for an audience that thinks in a movie language. That's the way I think, and I also believe that not enough authors keep up with the audience.

Fantasy enabled me to break the shackles and create a whole new level of 'the world is in danger' stakes.

I think 'The Time Traveler's Wife' is one of the most brilliantly marketed books I have ever seen.

I read 'The Hobbit' only when I was an adult. I had a lot of friends, teenagers, who discovered reading through 'The Hobbit,' but it wasn't something that I discovered until later in life.

I've been around long enough now that people who don't get into the outrageousness, the over-the-top stuff, they know not to buy my books anymore.

Zoos have always fascinated me. What child hasn't wondered what would happen if all the animals escaped from the zoo? Or what would happen if they got caught in an enclosure?

I'm very good at plot.

I imagine I'm a very unusual guy to date. You know, I've got toys on the shelves, and I've got the cars.

I write about all manner of things: a guy fighting aliens in the New York State Library, Antarctica, Inca civilization in Peru, the Great Pyramid at Giza, and people often ask me, where do I get these ideas from? They come from reading widely, watching a lot of documentaries, and increasingly ,as I was able to, travelling around the world.